Nigel
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Post by Nigel on Jan 29, 2010 9:48:35 GMT
Hi,
Anyone have any experience with high quality phono stages? For instance where does the law of diminishing returns really kick in hard.
I'm using a Cambridge 640p, which I prefer to the phono section in my integrated amp, offering a less grey more vibrant sound. I can't help wondering how the high quality, presumably very expensive, phono stages sound though.
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pjc68
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Post by pjc68 on Jan 29, 2010 14:01:59 GMT
Nigel The graham slee gram amp 2 se, seems to get a good reveiw, when funds allow this is the one im,e getting . At the moment i am using a mf xlps phono stage that i have bought new about 7 or 8 yrs ago.
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Post by colinh on Jan 30, 2010 23:49:45 GMT
Hi Nigel, using a Pure Sound P10 here and very happy with the sound. I have tried the Cambridge 640p but after hearing the p10 decided to get one . I think its a case of getting the sound your after and then sticking with it. If you try and hear to many you lose track of what you have heard, in addition the cart is also a factor in getting the sound you want trouble is finding the right one !.
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XTRProf
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Post by XTRProf on Jan 31, 2010 13:24:39 GMT
At the moment i am using a mf xlps phono stage that i have bought new about 7 or 8 yrs ago. Unfortunatrly the MF phono stage doesn't have any impedance or capacitance adjustments which may curtail the best from your cartridge. MC, though, is less affected by capacitance. When you are using a MM, both are important parameters. Fyi.
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XTRProf
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Post by XTRProf on Jan 31, 2010 13:42:21 GMT
Hi, I'm using a Cambridge 640p, which I prefer to the phono section in my integrated amp, offering a less grey more vibrant sound. I can't help wondering how the high quality, presumably very expensive, phono stages sound though. That's a wonderful phono stage! I may get one to compliment those phono stages I have. I have an AR SP11 internal phono stage, a Naim 32.5 internal phono stage (highly modded), Bellari VP129 tube buffered phono stage and a wonderful diy mc prepre headamp which I had highlighted many stars back here. In general, the hybrid tube phono stages are better liked. So I like the SP11 hyrbid as well as the Bellari with diy hybrid. I have not tried a full tube phono yet as they tend to be quite noisy. I may latter. In terms of price where diminishising return will surface, that is a question only each individual can answer as well as how high end and high resolution is your system. The higher the resolution, the more we can hear improvements as we go up the ladder in price. But in general, I will not look at things way pass 1.5k pounds as system matching and sound just change comes more into play then actual improvements.
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Nigel
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Post by Nigel on Feb 1, 2010 7:15:01 GMT
Hi Colin,
I've heard the Pure Sound P10 is very good indeed.
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Post by freddypipsqueek on Feb 2, 2010 22:38:23 GMT
I use a standard Graham Slee GramAmp One (Bridge). It is probably better than the MM input on my Cyrus One but I felt it changed the sound as opposed to improved it. I bought it as I have a Cyrus 6vs2 with no phono input which I will need to use as the Cyrus One is showing signs of "wearing out". I would suggest that the phono stage is both important (as it is the earliest amplification stage) and also the thing to get right (for the same reason). i.e garbage in garbage out.
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Post by colinh on Feb 5, 2010 20:11:12 GMT
Cheers Nigel ,the P10 was bought after a bake off of about 4 Phono amps. The Cambridge 640 that we still have and of course the p10. In addition there was an Aquavox that was superb and one of the guys had a home brew that he'd put together. The Aquavox won the day but at the time cost nearly double the price of the P10. Still no regrets.
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Post by videoguy on Feb 24, 2010 17:54:11 GMT
Hi Nigel: My recommendation is 1. If you are using a moving magnet cartridge, replace it with a moving coil cartridge. For approx. $288- usd you can get a Denon D103R. This cartridge is as good as many more expensive MC's. 2. get a good quality step up transformer box as the 103R's output is only 0.4 mv & output impedance is 40 ohms. 3. Try this combo into the cambridge & see how it sounds to you; if it is still lacking then look at some other preamps. Regards: Bill Wilson
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Nigel
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Post by Nigel on Feb 24, 2010 19:10:09 GMT
Hi Bill, I've heard great things about the Denon D103 series but I've heard some bad things as well. End of side distortion for one. Obviously I shouldn't comment without hearing one but I'm also led to believe it's less than an ideal match for a RB300 tonearm, effective mass of tonearm, weight of cartridge. See there's a guy on youtube that removes the Denon cartridge body & replaces it with a wooden one!! www.youtube.com/watch?v=-ENq8PoXhaU
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Post by Deleted on Feb 24, 2010 20:03:17 GMT
Snap on those reports Nigel. Plus I've never heard one in anger.
That wooden body mod looks brutal! Reminds of the more civilised denuding of a Lyra Lydian, I also used to transfer the "Stilton" body off an old ATF5 to a new one. (Did Mick say he made those bodies?)
Which deck are we talking about Nigel, Linn or Technics?
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Nigel
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Post by Nigel on Feb 24, 2010 23:18:13 GMT
Well I'm currently using the Technics for the moment.
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Post by videoguy on Feb 25, 2010 3:56:34 GMT
I am aware of the replacement wooden body. I am convinced that it is one of those tweaks that may give the last 3-5% improvement. The question is how far are you willing to go & how much are you willing to invest to get there.
Neve had the opportunity to hear one with the wood body so I cannot make a dogmatic statement on the subject.
It is a matter of separating the snake oil from the real. Example: oxygen free wire; Rupert Neve designer of the Neve mixing desks for recording studios & owner of Focusrite analog recording accessories calls it snake oil, I am in complete agreement.
We just have to determine how far we are willing to go & what we are willing to be satisfied with. I will stick with the 103R with my own transformer step up box, it sounds great.
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Post by blackglass on Apr 25, 2010 7:10:35 GMT
The Hart Audio Chiara headphone amp has had rave reviews elsewhere on this site and I highly recommend the company's phono stage with matching power supply. I have had a number of quality phono stages and this blows them all away as far as I am concerned. I read a review of it that said Hart seemed to sell their products based on part count without any margin for design etc. I would be interested to see if Mike could make the same level of improvements to the phono stage as he managed with the Chiara.
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Post by Deleted on Apr 25, 2010 8:35:53 GMT
blackglass Do you have a schematic of the Power Supply especially, as well as the phono preamp itself? Even high quality internal photos may also be of assistance. Even to Mike ! ;D
SandyK
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mrarroyo
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Post by mrarroyo on Apr 25, 2010 13:24:14 GMT
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Post by Deleted on Apr 25, 2010 17:56:05 GMT
During a similar search I found these guys. I have no more information than this site as I never went ahead with the idea.
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pjc68
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Post by pjc68 on Dec 28, 2010 1:35:35 GMT
I might have a chance to buy a secondhand trichord dino or gs gram amp 2se phono stage. The gs one has no adjustment capabilities and is basically plug and play were as the dino has cartridge loading and gain dip switch settings underneath. I have a sumiko bluepoint no2 mc cart, a rega rb250 arm on a rega p2 TT going through a mf xlps phono stage, but i feel the xlps is holding the sumiko back. If i end up with one of them i will test and report back. paddy
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XTRProf
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Post by XTRProf on Dec 28, 2010 2:27:41 GMT
I might have a chance to buy a secondhand trichord dino or gs gram amp 2se phono stage. The gs one has no adjustment capabilities and is basically plug and play were as the dino has cartridge loading and gain dip switch settings underneath. I have a sumiko bluepoint no2 mc cart, a rega rb250 arm on a rega p2 TT going through a mf xlps phono stage, but i feel the xlps is holding the sumiko back. If i end up with one of them i will test and report back. paddy Hi Paddy, I suggest that you get something that has adjustment as no cartridge will work its best without some form of adjustment.
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Post by Deleted on Dec 28, 2010 13:28:30 GMT
I've never heard the Dino or the particular model of GSA you mention. However, the GSA I have heard was crap. No other way of putting it.
I would be more inclined to try a mod kit for the XLPS, which is very respectable indeed, even in standard form.
Caps, diodes, valves and a good psu, I reckon you'll reep more benefit on this course.
The Sumiko BPII is not too fussy, sounding pretty decent in many different set ups. (I have one as back up)
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pjc68
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Post by pjc68 on Dec 28, 2010 13:30:22 GMT
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Post by pjc68 on Dec 28, 2010 13:41:43 GMT
Chris I was thinking of modding the xlps but i dont know of anyone who does the kit so i thought sod it i will buy a differnt one paddy
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Post by Deleted on Dec 28, 2010 13:50:16 GMT
...I guess it must be similar to the X-Can mods?
Whip the board out and take decent piccys both sides. I'm sure Mikeypoo could advise on compatible mods and a Pinkie PSU.
If the phono stage in my amp wasn't so piggin' good, this is the way I would I go.
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Post by stevieg330 on Dec 28, 2010 16:19:10 GMT
Hi Paddy,
For what it's worth I have a Trichord Dino and find it to be a great sounding phono amp although to be fair I haven't heard that many!
It's certainly in a completely different league to the one on my amp (Marantz PM7200ki)or any on-board phono stage I can recall although at the moment the Dino is plugged directly into my Xcan V2 via a Nordost Red Dawn interconnect.
I use it with the standard Trichord PSU but I wonder what it sounds like with the Dino+ power supply.
Hope this helps
Regards
Steve
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pjc68
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Post by pjc68 on Dec 28, 2010 16:46:30 GMT
Hi stevieg330 Thanks for the info. I have just won a mk1 dino on ebay foe £129 in mint condition with the manual. Cant wait for it to come, it should sound better than my xlps. What TT and cart are you using it with. paddy
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